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‘The Batman’ and Matt Reeves: Emerging From the Shadow of Other Caped Crusaders Amid concurrent versions of the crime-fighter, this director aimed for something personal that would also serve a studio’s needs. The result is a foreboding vision. BY DAVE ITZKOFF https://ift.tt/qWC3vo4 https://ift.tt/kaTdfwC New York Times Movies Movies, Content Type: Personal Profile, Television February 28, 2022 at 03:30PM

‘The Batman’ and Matt Reeves: Emerging From the Shadow of Other Caped Crusaders Amid concurrent versions of the crime-fighter, this director aimed for something personal that would also serve a studio’s needs. The result is a foreboding vision. BY DAVE ITZKOFF https://ift.tt/qWC3vo4 https://ift.tt/kaTdfwC New York Times Movies Movies, Content Type: Personal Profile, Television February 28, 2022 at 03:30PM

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‘The Batman’ and Matt Reeves: Emerging From the Shadow of Other Caped Crusaders Amid concurrent versions of the crime-fighter, this director...
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Foo Fighters Made a Horror Film. Because Why Not? Dave Grohl shares how the band went from filming funny music videos to making “Studio 666,” due Feb. 25, and discusses a coming album. BY SARA ARIDI https://ift.tt/903XVhA https://ift.tt/Sdws8bA New York Times Movies Movies, Music, Pop and Rock Music February 25, 2022 at 08:30PM

Foo Fighters Made a Horror Film. Because Why Not? Dave Grohl shares how the band went from filming funny music videos to making “Studio 666,” due Feb. 25, and discusses a coming album. BY SARA ARIDI https://ift.tt/903XVhA https://ift.tt/Sdws8bA New York Times Movies Movies, Music, Pop and Rock Music February 25, 2022 at 08:30PM

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Foo Fighters Made a Horror Film. Because Why Not? Dave Grohl shares how the band went from filming funny music videos to making “Studio 666,...
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Why Is ‘Cyrano’ Still So Potent? Ask Anyone Who’s Loved at All. The 19th-century French play is quite adaptable, as numerous stage and film versions have shown, including the latest musical starring Peter Dinklage. BY JASON BAILEY https://ift.tt/Xw1AJdD https://ift.tt/nBmYkcL New York Times Movies Theater, Movies February 25, 2022 at 07:30PM

Why Is ‘Cyrano’ Still So Potent? Ask Anyone Who’s Loved at All. The 19th-century French play is quite adaptable, as numerous stage and film versions have shown, including the latest musical starring Peter Dinklage. BY JASON BAILEY https://ift.tt/Xw1AJdD https://ift.tt/nBmYkcL New York Times Movies Theater, Movies February 25, 2022 at 07:30PM

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Why Is ‘Cyrano’ Still So Potent? Ask Anyone Who’s Loved at All. The 19th-century French play is quite adaptable, as numerous stage and film ...
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Sally Kellerman, Oscar-Nominated ‘MASH’ Actress, Is Dead at 84 The actress, who broke through as Margaret (Hot Lips) Houlihan in “MASH,” was known for her self-effacing comedy, a velvety voice and an ability to toggle between sultry and silly. BY CHRISTINE CHUNG https://ift.tt/lX6xcbt https://ift.tt/9CrdknS New York Times Movies February 25, 2022 at 09:38AM

Sally Kellerman, Oscar-Nominated ‘MASH’ Actress, Is Dead at 84 The actress, who broke through as Margaret (Hot Lips) Houlihan in “MASH,” was known for her self-effacing comedy, a velvety voice and an ability to toggle between sultry and silly. BY CHRISTINE CHUNG https://ift.tt/lX6xcbt https://ift.tt/9CrdknS New York Times Movies February 25, 2022 at 09:38AM

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Sally Kellerman, Oscar-Nominated ‘MASH’ Actress, Is Dead at 84 The actress, who broke through as Margaret (Hot Lips) Houlihan in “MASH,” was...
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Stream These Three Great Documentaries This month’s nonfiction picks include a film on suburban surveillance, a deep dive into movie sound and an Oscar-nominated exploration of teens on the margins. BY BEN KENIGSBERG https://ift.tt/I9Ry57e https://ift.tt/G3IKSpf New York Times Movies Documentary Films and Programs February 24, 2022 at 01:34AM

Stream These Three Great Documentaries This month’s nonfiction picks include a film on suburban surveillance, a deep dive into movie sound and an Oscar-nominated exploration of teens on the margins. BY BEN KENIGSBERG https://ift.tt/I9Ry57e https://ift.tt/G3IKSpf New York Times Movies Documentary Films and Programs February 24, 2022 at 01:34AM

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Stream These Three Great Documentaries This month’s nonfiction picks include a film on suburban surveillance, a deep dive into movie sound a...
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The Oscars’ Popularity Crisis Why academy efforts like trimming awards from the telecast won’t help. People watch because it’s a show about elite work, not in spite of it. BY KYLE BUCHANAN https://ift.tt/mLtjfEl https://ift.tt/MCQFvsl New York Times Movies Movies, Academy Awards (Oscars), Television February 24, 2022 at 12:37AM

The Oscars’ Popularity Crisis Why academy efforts like trimming awards from the telecast won’t help. People watch because it’s a show about elite work, not in spite of it. BY KYLE BUCHANAN https://ift.tt/mLtjfEl https://ift.tt/MCQFvsl New York Times Movies Movies, Academy Awards (Oscars), Television February 24, 2022 at 12:37AM

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The Oscars’ Popularity Crisis Why academy efforts like trimming awards from the telecast won’t help. People watch because it’s a show about ...
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Restoring ‘The Godfather’ to Its Original (Still Dark) Glory Francis Ford Coppola discusses a repaired 50th-anniversary edition of his classic, one that aims to be as vivid — and shadowy — as it was in 1972. BY DAVE ITZKOFF https://ift.tt/2F9efut https://ift.tt/NFMAl74 New York Times Movies Movies February 23, 2022 at 08:30PM

Restoring ‘The Godfather’ to Its Original (Still Dark) Glory Francis Ford Coppola discusses a repaired 50th-anniversary edition of his classic, one that aims to be as vivid — and shadowy — as it was in 1972. BY DAVE ITZKOFF https://ift.tt/2F9efut https://ift.tt/NFMAl74 New York Times Movies Movies February 23, 2022 at 08:30PM

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Restoring ‘The Godfather’ to Its Original (Still Dark) Glory Francis Ford Coppola discusses a repaired 50th-anniversary edition of his class...
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‘Mr. Bachmann and His Class’ Review: Learning From the Best Maria Speth’s enthralling documentary spends a year in the classroom of an unconventional teacher in a German industrial town. BY A.O. SCOTT https://ift.tt/4ytjg61 https://ift.tt/S7BQPOV New York Times Movies Movies, Education (K-12), Documentary Films and Programs February 21, 2022 at 03:47AM

‘Mr. Bachmann and His Class’ Review: Learning From the Best Maria Speth’s enthralling documentary spends a year in the classroom of an unconventional teacher in a German industrial town. BY A.O. SCOTT https://ift.tt/4ytjg61 https://ift.tt/S7BQPOV New York Times Movies Movies, Education (K-12), Documentary Films and Programs February 21, 2022 at 03:47AM

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‘Mr. Bachmann and His Class’ Review: Learning From the Best Maria Speth’s enthralling documentary spends a year in the classroom of an uncon...
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‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into the horror genre with scary debuts like “Saint Maud” and “A Banquet.” BY ALEX MARSHALL https://ift.tt/0lk8roZ https://ift.tt/DAJrm6a New York Times Movies Movies, Women and Girls February 18, 2022 at 11:00PM

‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into the horror genre with scary debuts like “Saint Maud” and “A Banquet.” BY ALEX MARSHALL https://ift.tt/0lk8roZ https://ift.tt/DAJrm6a New York Times Movies Movies, Women and Girls February 18, 2022 at 11:00PM

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‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into t...
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‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into the horror genre with scary debuts like “Saint Maud” and “A Banquet.” BY ALEX MARSHALL https://ift.tt/q5dGbXQ https://ift.tt/DAJrm6a New York Times Movies Movies February 18, 2022 at 11:00PM

‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into the horror genre with scary debuts like “Saint Maud” and “A Banquet.” BY ALEX MARSHALL https://ift.tt/q5dGbXQ https://ift.tt/DAJrm6a New York Times Movies Movies February 18, 2022 at 11:00PM

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‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft A new wave of filmmakers from Britain and Ireland is breaking into t...
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Five Science Fiction Movies to Stream Now This month’s picks include characters fighting for survival without technology in one film, and mixing it up with a sentient car in another. BY ELISABETH VINCENTELLI https://ift.tt/ypgGjVO https://ift.tt/ceCR5YU New York Times Movies Movies February 18, 2022 at 09:30PM

Five Science Fiction Movies to Stream Now This month’s picks include characters fighting for survival without technology in one film, and mixing it up with a sentient car in another. BY ELISABETH VINCENTELLI https://ift.tt/ypgGjVO https://ift.tt/ceCR5YU New York Times Movies Movies February 18, 2022 at 09:30PM

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Five Science Fiction Movies to Stream Now This month’s picks include characters fighting for survival without technology in one film, and mi...
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‘The Automat,’ Where Dining Out Was D.I.Y. The director Lisa Hurwitz discusses the history of the Horn & Hardart chain of restaurants, which offered comfort food in coin-operated glass boxes. BY NICOLAS RAPOLD https://ift.tt/OCUWJmM https://ift.tt/nbUmXM6 New York Times Movies Documentary Films and Programs February 18, 2022 at 07:30PM

‘The Automat,’ Where Dining Out Was D.I.Y. The director Lisa Hurwitz discusses the history of the Horn & Hardart chain of restaurants, which offered comfort food in coin-operated glass boxes. BY NICOLAS RAPOLD https://ift.tt/OCUWJmM https://ift.tt/nbUmXM6 New York Times Movies Documentary Films and Programs February 18, 2022 at 07:30PM

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‘The Automat,’ Where Dining Out Was D.I.Y. The director Lisa Hurwitz discusses the history of the Horn & Hardart chain of restaurants, w...
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‘A Banquet’ Review: Starving for a Higher Purpose A family of grieving women is thrown once more into chaos when the eldest daughter refuses to eat, saying she must do so by divine decree. BY LENA WILSON https://ift.tt/lvOgMb7 https://ift.tt/pleqfow New York Times Movies Movies February 17, 2022 at 05:30PM

‘A Banquet’ Review: Starving for a Higher Purpose A family of grieving women is thrown once more into chaos when the eldest daughter refuses to eat, saying she must do so by divine decree. BY LENA WILSON https://ift.tt/lvOgMb7 https://ift.tt/pleqfow New York Times Movies Movies February 17, 2022 at 05:30PM

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‘A Banquet’ Review: Starving for a Higher Purpose A family of grieving women is thrown once more into chaos when the eldest daughter refuses...
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‘Alcarràs’ Wins Top Prize at Berlin Film Festival The second feature by the Spanish director Carla Simón, about a family of peach farmers, captured the Golden Bear on Wednesday. BY THOMAS ROGERS https://ift.tt/j3letHd https://ift.tt/8nkAR67 New York Times Movies Movies, Berlin International Film Festival February 17, 2022 at 02:16AM

‘Alcarràs’ Wins Top Prize at Berlin Film Festival The second feature by the Spanish director Carla Simón, about a family of peach farmers, captured the Golden Bear on Wednesday. BY THOMAS ROGERS https://ift.tt/j3letHd https://ift.tt/8nkAR67 New York Times Movies Movies, Berlin International Film Festival February 17, 2022 at 02:16AM

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‘Alcarràs’ Wins Top Prize at Berlin Film Festival The second feature by the Spanish director Carla Simón, about a family of peach farmers, c...
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‘CODA’ Star Troy Kotsur on His Historic, Healing Oscar Nomination The deaf actor endured years of rejection and financial struggle. “I was so used to failure that I didn’t realize I would surpass even my own expectations.” BY KYLE BUCHANAN https://ift.tt/rqC2uG1 https://ift.tt/wyJVLpK New York Times Movies Movies, Academy Awards (Oscars), Deafness, Actors and Actresses February 17, 2022 at 01:27AM

‘CODA’ Star Troy Kotsur on His Historic, Healing Oscar Nomination The deaf actor endured years of rejection and financial struggle. “I was so used to failure that I didn’t realize I would surpass even my own expectations.” BY KYLE BUCHANAN https://ift.tt/rqC2uG1 https://ift.tt/wyJVLpK New York Times Movies Movies, Academy Awards (Oscars), Deafness, Actors and Actresses February 17, 2022 at 01:27AM

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‘CODA’ Star Troy Kotsur on His Historic, Healing Oscar Nomination The deaf actor endured years of rejection and financial struggle. “I was s...
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‘For Lucio’ Review: The Voice of Italy for Four Decades A new documentary pays tribute to Lucio Dalla, a popular and passionate Italian singer whose songs captured the country’s political turmoil. BY A.O. SCOTT https://ift.tt/RpC0Xyt https://ift.tt/sOruMGZ New York Times Movies Movies, Documentary Films and Programs, Pop and Rock Music, Content Type: Personal Profile February 16, 2022 at 07:48AM

‘For Lucio’ Review: The Voice of Italy for Four Decades A new documentary pays tribute to Lucio Dalla, a popular and passionate Italian singer whose songs captured the country’s political turmoil. BY A.O. SCOTT https://ift.tt/RpC0Xyt https://ift.tt/sOruMGZ New York Times Movies Movies, Documentary Films and Programs, Pop and Rock Music, Content Type: Personal Profile February 16, 2022 at 07:48AM

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‘For Lucio’ Review: The Voice of Italy for Four Decades A new documentary pays tribute to Lucio Dalla, a popular and passionate Italian sing...
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Family of Slain Cinematographer Sues Alec Baldwin and ‘Rust’ Producers The suit charges that Baldwin “recklessly shot and killed Halyna Hutchins on the set” and that the production’s “aggressive cost-cutting” had endangered the crew. BY JULIA JACOBS AND GRAHAM BOWLEY https://ift.tt/X3fJB57 https://ift.tt/Q1jsLxl New York Times Movies Firearms, Movies, Suits and Litigation (Civil), Accidents and Safety February 16, 2022 at 12:18AM

Family of Slain Cinematographer Sues Alec Baldwin and ‘Rust’ Producers The suit charges that Baldwin “recklessly shot and killed Halyna Hutchins on the set” and that the production’s “aggressive cost-cutting” had endangered the crew. BY JULIA JACOBS AND GRAHAM BOWLEY https://ift.tt/X3fJB57 https://ift.tt/Q1jsLxl New York Times Movies Firearms, Movies, Suits and Litigation (Civil), Accidents and Safety February 16, 2022 at 12:18AM

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Family of Slain Cinematographer Sues Alec Baldwin and ‘Rust’ Producers The suit charges that Baldwin “recklessly shot and killed Halyna Hutc...
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Isabelle Huppert Doesn’t Watch Her Past Films, but She Will Discuss Them The Berlin International Film Festival is honoring the superstar of art house cinema with a lifetime achievement award. She took us through some career highlights. BY THOMAS ROGERS https://ift.tt/JG4QEx8 https://ift.tt/d7LcDIY New York Times Movies Berlin International Film Festival, Movies, Actors and Actresses February 15, 2022 at 09:41PM

Isabelle Huppert Doesn’t Watch Her Past Films, but She Will Discuss Them The Berlin International Film Festival is honoring the superstar of art house cinema with a lifetime achievement award. She took us through some career highlights. BY THOMAS ROGERS https://ift.tt/JG4QEx8 https://ift.tt/d7LcDIY New York Times Movies Berlin International Film Festival, Movies, Actors and Actresses February 15, 2022 at 09:41PM

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Isabelle Huppert Doesn’t Watch Her Past Films, but She Will Discuss Them The Berlin International Film Festival is honoring the superstar of...
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What Makes a Good Hercule Poirot? (It’s More Than the Little Gray Cells.) Agatha Christie’s Belgian sleuth has inspired many interpretations, none exactly true to her novels, including Kenneth Branagh’s approach in “Death on the Nile.” BY CALUM MARSH https://ift.tt/Fx7mZvW https://ift.tt/fvN9Wbc New York Times Movies Movies, Television February 15, 2022 at 07:30PM

What Makes a Good Hercule Poirot? (It’s More Than the Little Gray Cells.) Agatha Christie’s Belgian sleuth has inspired many interpretations, none exactly true to her novels, including Kenneth Branagh’s approach in “Death on the Nile.” BY CALUM MARSH https://ift.tt/Fx7mZvW https://ift.tt/fvN9Wbc New York Times Movies Movies, Television February 15, 2022 at 07:30PM

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What Makes a Good Hercule Poirot? (It’s More Than the Little Gray Cells.) Agatha Christie’s Belgian sleuth has inspired many interpretations...
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‘Oscar Peterson: Black + White’ Review: Never Mind the Talking Heads The flashing fingers of this jazz piano icon, and his mesmerizing tracks, are all the perspective we need. BY CALUM MARSH https://ift.tt/zNiILyt https://ift.tt/U92ePFi New York Times Movies Music, Documentary Films and Programs February 15, 2022 at 05:30PM

‘Oscar Peterson: Black + White’ Review: Never Mind the Talking Heads The flashing fingers of this jazz piano icon, and his mesmerizing tracks, are all the perspective we need. BY CALUM MARSH https://ift.tt/zNiILyt https://ift.tt/U92ePFi New York Times Movies Music, Documentary Films and Programs February 15, 2022 at 05:30PM

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‘Oscar Peterson: Black + White’ Review: Never Mind the Talking Heads The flashing fingers of this jazz piano icon, and his mesmerizing track...
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Wanda Sykes, Amy Schumer and Regina Hall to Host the Oscars The comic actresses are in final talks for the job, which the producer Will Packer is adding back to the ceremony. The event had been hostless for the past three years. BY KYLE BUCHANAN AND NICOLE SPERLING https://ift.tt/4IXWJCB https://ift.tt/tNmHKx1 New York Times Movies Movies, Academy Awards (Oscars) February 15, 2022 at 01:42AM

Wanda Sykes, Amy Schumer and Regina Hall to Host the Oscars The comic actresses are in final talks for the job, which the producer Will Packer is adding back to the ceremony. The event had been hostless for the past three years. BY KYLE BUCHANAN AND NICOLE SPERLING https://ift.tt/4IXWJCB https://ift.tt/tNmHKx1 New York Times Movies Movies, Academy Awards (Oscars) February 15, 2022 at 01:42AM

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Wanda Sykes, Amy Schumer and Regina Hall to Host the Oscars The comic actresses are in final talks for the job, which the producer Will Pack...
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‘Somewhere With No Bridges’ Review: Of Men and Memories Charles Frank’s documentary about a Martha’s Vineyard man tries to turn a shadow into a portrait. BY MANOHLA DARGIS https://ift.tt/EAq0YSG https://ift.tt/RQZaFsV New York Times Movies Documentary Films and Programs, Boats and Boating February 15, 2022 at 12:49AM

‘Somewhere With No Bridges’ Review: Of Men and Memories Charles Frank’s documentary about a Martha’s Vineyard man tries to turn a shadow into a portrait. BY MANOHLA DARGIS https://ift.tt/EAq0YSG https://ift.tt/RQZaFsV New York Times Movies Documentary Films and Programs, Boats and Boating February 15, 2022 at 12:49AM

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‘Somewhere With No Bridges’ Review: Of Men and Memories Charles Frank’s documentary about a Martha’s Vineyard man tries to turn a shadow int...
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Ivan Reitman, Director of ‘Ghostbusters,’ Is Dead at 75 The filmmaker injected giant marshmallow boogeymen and toga parties into popular culture with movies that included “National Lampoon’s Animal House,” “Stripes” and “Kindergarten Cop.” BY CHRISTINE CHUNG https://ift.tt/cNGx82O https://ift.tt/yY1v70V New York Times Movies Movies, Ghosts February 14, 2022 at 12:08PM

Ivan Reitman, Director of ‘Ghostbusters,’ Is Dead at 75 The filmmaker injected giant marshmallow boogeymen and toga parties into popular culture with movies that included “National Lampoon’s Animal House,” “Stripes” and “Kindergarten Cop.” BY CHRISTINE CHUNG https://ift.tt/cNGx82O https://ift.tt/yY1v70V New York Times Movies Movies, Ghosts February 14, 2022 at 12:08PM

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Ivan Reitman, Director of ‘Ghostbusters,’ Is Dead at 75 The filmmaker injected giant marshmallow boogeymen and toga parties into popular cul...
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Mifune’s Transcendent Films, With and Without Kurosawa Yes, the Japanese team was one of cinema’s great collaborations. But Film Forum’s salute to Toshiro Mifune shows that he was a superb actor no matter who was in the director’s chair. BY MIKE HALE https://ift.tt/4buOmKe https://ift.tt/acYCFf0 New York Times Movies Movies February 12, 2022 at 02:39AM

Mifune’s Transcendent Films, With and Without Kurosawa Yes, the Japanese team was one of cinema’s great collaborations. But Film Forum’s salute to Toshiro Mifune shows that he was a superb actor no matter who was in the director’s chair. BY MIKE HALE https://ift.tt/4buOmKe https://ift.tt/acYCFf0 New York Times Movies Movies February 12, 2022 at 02:39AM

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Mifune’s Transcendent Films, With and Without Kurosawa Yes, the Japanese team was one of cinema’s great collaborations. But Film Forum’s sal...
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Douglas Trumbull, Visual Effects Wizard, Dies at 79 His technical savvy was on display in films like “2001: A Space Odyssey,” “Star Trek: the Motion Picture,” “Close Encounters of the Third Kind” and “Blade Runner.” BY RICHARD SANDOMIR https://ift.tt/QiSCPVH https://ift.tt/SnkuZeR New York Times Movies Deaths (Obituaries), Movies, Science Fiction, Space and Astronomy, 3-D Devices and Effects February 12, 2022 at 02:22AM

Douglas Trumbull, Visual Effects Wizard, Dies at 79 His technical savvy was on display in films like “2001: A Space Odyssey,” “Star Trek: the Motion Picture,” “Close Encounters of the Third Kind” and “Blade Runner.” BY RICHARD SANDOMIR https://ift.tt/QiSCPVH https://ift.tt/SnkuZeR New York Times Movies Deaths (Obituaries), Movies, Science Fiction, Space and Astronomy, 3-D Devices and Effects February 12, 2022 at 02:22AM

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Douglas Trumbull, Visual Effects Wizard, Dies at 79 His technical savvy was on display in films like “2001: A Space Odyssey,” “Star Trek: th...
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Whether He’s Talking ‘Amélie’ or ‘Bigbug,’ Jean-Pierre Jeunet Doesn’t Hold Back The French director is candid about his fights with Harvey Weinstein and his reasons for working with Netflix. And he can’t hide his joy about a rerelease of “Amélie.” BY CARLOS AGUILAR https://ift.tt/Gy9S65K https://ift.tt/4xo31uk New York Times Movies Movies February 12, 2022 at 01:54AM

Whether He’s Talking ‘Amélie’ or ‘Bigbug,’ Jean-Pierre Jeunet Doesn’t Hold Back The French director is candid about his fights with Harvey Weinstein and his reasons for working with Netflix. And he can’t hide his joy about a rerelease of “Amélie.” BY CARLOS AGUILAR https://ift.tt/Gy9S65K https://ift.tt/4xo31uk New York Times Movies Movies February 12, 2022 at 01:54AM

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Whether He’s Talking ‘Amélie’ or ‘Bigbug,’ Jean-Pierre Jeunet Doesn’t Hold Back The French director is candid about his fights with Harvey W...
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Study Finds Sustained Progress for Female Directors and Filmmakers of Color But women of color are still not getting feature directing jobs in Hollywood, the annual report on top-grossing movies finds. BY NICOLE SPERLING https://ift.tt/3FO1fvR https://ift.tt/XMS49t0 New York Times Movies Movies, Women and Girls, Race and Ethnicity, Minorities, Discrimination, Scholarships and Fellowships February 10, 2022 at 01:28AM

Study Finds Sustained Progress for Female Directors and Filmmakers of Color But women of color are still not getting feature directing jobs in Hollywood, the annual report on top-grossing movies finds. BY NICOLE SPERLING https://ift.tt/3FO1fvR https://ift.tt/XMS49t0 New York Times Movies Movies, Women and Girls, Race and Ethnicity, Minorities, Discrimination, Scholarships and Fellowships February 10, 2022 at 01:28AM

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Study Finds Sustained Progress for Female Directors and Filmmakers of Color But women of color are still not getting feature directing jobs ...
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