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Charlbi Dean, Star of Top Winner at Cannes, Dies at 32 A South African-born actress and model, she had a breakout role in the satirical “Triangle of Sadness,” due in theaters in the fall. BY REGGIE UGWU https://ift.tt/YBy37hi https://ift.tt/H8J4ajY New York Times Movies Deaths (Obituaries), Actors and Actresses, Cannes International Film Festival September 1, 2022 at 03:22AM

Charlbi Dean, Star of Top Winner at Cannes, Dies at 32 A South African-born actress and model, she had a breakout role in the satirical “Triangle of Sadness,” due in theaters in the fall. BY REGGIE UGWU https://ift.tt/YBy37hi https://ift.tt/H8J4ajY New York Times Movies Deaths (Obituaries), Actors and Actresses, Cannes International Film Festival September 1, 2022 at 03:22AM

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Charlbi Dean, Star of Top Winner at Cannes, Dies at 32 A South African-born actress and model, she had a breakout role in the satirical “Tri...
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Where Did Those Hot Dog Fingers Come From? Daniels Explain The directors of “Everything Everywhere All at Once” have found the reaction to their film “humbling and inspiring and confusing.” BY ROBERT ITO https://ift.tt/sWYZM2H https://ift.tt/nVW5K8T New York Times Movies Movies, Asian-Americans August 31, 2022 at 08:10PM

Where Did Those Hot Dog Fingers Come From? Daniels Explain The directors of “Everything Everywhere All at Once” have found the reaction to their film “humbling and inspiring and confusing.” BY ROBERT ITO https://ift.tt/sWYZM2H https://ift.tt/nVW5K8T New York Times Movies Movies, Asian-Americans August 31, 2022 at 08:10PM

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Where Did Those Hot Dog Fingers Come From? Daniels Explain The directors of “Everything Everywhere All at Once” have found the reaction to t...
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How Did ‘Top Gun: Maverick’ Get Those Dogfight Scenes? Joseph Kosinski Explains. The director behind the biggest movie of 2022 so far discusses trying to make a movie that can’t be traced to any particular year and the meaning of Dad Cinema. BY JULIE BLOOM https://ift.tt/UBbc3Ag https://ift.tt/m0Ffi2c New York Times Movies Movies, Content Type: Personal Profile August 30, 2022 at 09:56PM

How Did ‘Top Gun: Maverick’ Get Those Dogfight Scenes? Joseph Kosinski Explains. The director behind the biggest movie of 2022 so far discusses trying to make a movie that can’t be traced to any particular year and the meaning of Dad Cinema. BY JULIE BLOOM https://ift.tt/UBbc3Ag https://ift.tt/m0Ffi2c New York Times Movies Movies, Content Type: Personal Profile August 30, 2022 at 09:56PM

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How Did ‘Top Gun: Maverick’ Get Those Dogfight Scenes? Joseph Kosinski Explains. The director behind the biggest movie of 2022 so far discus...
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With ‘Tár,’ Todd Field Returns to Directing. Where Has He Been? Sixteen years after “In the Bedroom” and “Little Children” made waves, he’s nervous about stepping back into the limelight with a hot-button story. BY KYLE BUCHANAN https://ift.tt/2bqAe0R https://ift.tt/OP1vmWQ New York Times Movies Movies, Content Type: Personal Profile August 30, 2022 at 07:50PM

With ‘Tár,’ Todd Field Returns to Directing. Where Has He Been? Sixteen years after “In the Bedroom” and “Little Children” made waves, he’s nervous about stepping back into the limelight with a hot-button story. BY KYLE BUCHANAN https://ift.tt/2bqAe0R https://ift.tt/OP1vmWQ New York Times Movies Movies, Content Type: Personal Profile August 30, 2022 at 07:50PM

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With ‘Tár,’ Todd Field Returns to Directing. Where Has He Been? Sixteen years after “In the Bedroom” and “Little Children” made waves, he’s ...
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Venice Film Festival 2022: What to Watch For The event fires the award-season starting pistol with some of the most anticipated films of the year — including “White Noise,” “The Whale” and “Don’t Worry Darling.” BY KYLE BUCHANAN https://ift.tt/YZgJdnb https://ift.tt/U3qDP9R New York Times Movies Movies, Academy Awards (Oscars), Venice International Film Festival August 30, 2022 at 04:02PM

Venice Film Festival 2022: What to Watch For The event fires the award-season starting pistol with some of the most anticipated films of the year — including “White Noise,” “The Whale” and “Don’t Worry Darling.” BY KYLE BUCHANAN https://ift.tt/YZgJdnb https://ift.tt/U3qDP9R New York Times Movies Movies, Academy Awards (Oscars), Venice International Film Festival August 30, 2022 at 04:02PM

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Venice Film Festival 2022: What to Watch For The event fires the award-season starting pistol with some of the most anticipated films of the...
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Jordan Peele Says There May Be More ‘Nope’ Stories to Come We asked the writer-director about that standing shoe, a character called Nobody and fan theories about his flying-saucer movie. This is what he told us. BY MEKADO MURPHY https://ift.tt/KR0pP97 https://ift.tt/FV1IXWB New York Times Movies Movies, Content Type: Personal Profile August 29, 2022 at 10:02PM

Jordan Peele Says There May Be More ‘Nope’ Stories to Come We asked the writer-director about that standing shoe, a character called Nobody and fan theories about his flying-saucer movie. This is what he told us. BY MEKADO MURPHY https://ift.tt/KR0pP97 https://ift.tt/FV1IXWB New York Times Movies Movies, Content Type: Personal Profile August 29, 2022 at 10:02PM

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Jordan Peele Says There May Be More ‘Nope’ Stories to Come We asked the writer-director about that standing shoe, a character called Nobody ...
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Virginia Patton Moss, ‘It’s a Wonderful Life’ Actress, Dies at 97 The last surviving adult member of the film’s cast, she played the sister-in-law to James Stewart’s George Bailey. Three years later, she quit Hollywood. BY RICHARD SANDOMIR https://ift.tt/8KEe4Bm https://ift.tt/3pJCydE New York Times Movies Movies, Actors and Actresses, Deaths (Obituaries) August 27, 2022 at 03:36AM

Virginia Patton Moss, ‘It’s a Wonderful Life’ Actress, Dies at 97 The last surviving adult member of the film’s cast, she played the sister-in-law to James Stewart’s George Bailey. Three years later, she quit Hollywood. BY RICHARD SANDOMIR https://ift.tt/8KEe4Bm https://ift.tt/3pJCydE New York Times Movies Movies, Actors and Actresses, Deaths (Obituaries) August 27, 2022 at 03:36AM

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Virginia Patton Moss, ‘It’s a Wonderful Life’ Actress, Dies at 97 The last surviving adult member of the film’s cast, she played the sister-...
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‘The Invitation’ Review: Bringing Down the Haunted House Nathalie Emmanuel stars as the unwitting belle of an English manor in this middling gothic horror movie that leaves her blind to the blood-red flags waving at every turn. BY NATALIA WINKELMAN https://ift.tt/6AeQBZp https://ift.tt/OZcQP3D New York Times Movies Movies August 27, 2022 at 12:08AM

‘The Invitation’ Review: Bringing Down the Haunted House Nathalie Emmanuel stars as the unwitting belle of an English manor in this middling gothic horror movie that leaves her blind to the blood-red flags waving at every turn. BY NATALIA WINKELMAN https://ift.tt/6AeQBZp https://ift.tt/OZcQP3D New York Times Movies Movies August 27, 2022 at 12:08AM

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‘The Invitation’ Review: Bringing Down the Haunted House Nathalie Emmanuel stars as the unwitting belle of an English manor in this middling...
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‘Funny Pages’ Review: Ordinary Life, Complex Stuff Owen Kline’s wonderful feature debut about an aspiring comic-book creator delves into a buzzingly alive, if anxious, world of cartooning. BY MANOHLA DARGIS https://ift.tt/qXcr9lO https://ift.tt/CA2TYrJ New York Times Movies Movies August 26, 2022 at 12:29AM

‘Funny Pages’ Review: Ordinary Life, Complex Stuff Owen Kline’s wonderful feature debut about an aspiring comic-book creator delves into a buzzingly alive, if anxious, world of cartooning. BY MANOHLA DARGIS https://ift.tt/qXcr9lO https://ift.tt/CA2TYrJ New York Times Movies Movies August 26, 2022 at 12:29AM

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‘Funny Pages’ Review: Ordinary Life, Complex Stuff Owen Kline’s wonderful feature debut about an aspiring comic-book creator delves into a b...
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‘Three Thousand Years of Longing’ Review: Desire, Once Upon a Time George Miller directs a visually sumptuous, grown-up fairy tale with Tilda Swinton and Idris Elba. It jumps across time but too often just stumbles. BY MANOHLA DARGIS https://ift.tt/pNMjiDO https://ift.tt/x6egRSk New York Times Movies Movies August 25, 2022 at 11:18PM

‘Three Thousand Years of Longing’ Review: Desire, Once Upon a Time George Miller directs a visually sumptuous, grown-up fairy tale with Tilda Swinton and Idris Elba. It jumps across time but too often just stumbles. BY MANOHLA DARGIS https://ift.tt/pNMjiDO https://ift.tt/x6egRSk New York Times Movies Movies August 25, 2022 at 11:18PM

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‘Three Thousand Years of Longing’ Review: Desire, Once Upon a Time George Miller directs a visually sumptuous, grown-up fairy tale with Tild...
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Joanne Koch, Who Led Lincoln Center’s Film Society, Dies at 92 A lifelong film lover, she stood up to protesters, and to federal and church authorities, to bring challenging movies to the masses. BY ALEX WILLIAMS https://ift.tt/vdFVgRn https://ift.tt/wg21iy7 New York Times Movies Deaths (Obituaries), Movies, Festivals August 24, 2022 at 03:33AM

Joanne Koch, Who Led Lincoln Center’s Film Society, Dies at 92 A lifelong film lover, she stood up to protesters, and to federal and church authorities, to bring challenging movies to the masses. BY ALEX WILLIAMS https://ift.tt/vdFVgRn https://ift.tt/wg21iy7 New York Times Movies Deaths (Obituaries), Movies, Festivals August 24, 2022 at 03:33AM

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Joanne Koch, Who Led Lincoln Center’s Film Society, Dies at 92 A lifelong film lover, she stood up to protesters, and to federal and church ...
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Regina Hall Sees the Bigger Picture With ‘Sleepless in Seattle’ and ‘Forensic Files’ The actress, who stars in “Honk for Jesus. Save Your Soul,” explains what it’s like to inhabit a role and the family heirloom that goes wherever she is. BY SANDRA E. GARCIA https://ift.tt/RGMXAJI https://ift.tt/gOcG46v New York Times Movies Content Type: Personal Profile August 23, 2022 at 10:04PM

Regina Hall Sees the Bigger Picture With ‘Sleepless in Seattle’ and ‘Forensic Files’ The actress, who stars in “Honk for Jesus. Save Your Soul,” explains what it’s like to inhabit a role and the family heirloom that goes wherever she is. BY SANDRA E. GARCIA https://ift.tt/RGMXAJI https://ift.tt/gOcG46v New York Times Movies Content Type: Personal Profile August 23, 2022 at 10:04PM

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Regina Hall Sees the Bigger Picture With ‘Sleepless in Seattle’ and ‘Forensic Files’ The actress, who stars in “Honk for Jesus. Save Your So...
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Review: ‘Dragon Ball Super: Super Hero’ Is Deluxe Fan Service In the latest “Dragon Ball” outing, directed by Tetsuro Kodama and written by the series creator, Akira Toriyama, the menacing villain is a pair of state-of-the-art androids. BY CALUM MARSH https://ift.tt/RrsMatP https://ift.tt/KrkBeOA New York Times Movies Movies, Animated Films August 18, 2022 at 04:30PM

Review: ‘Dragon Ball Super: Super Hero’ Is Deluxe Fan Service In the latest “Dragon Ball” outing, directed by Tetsuro Kodama and written by the series creator, Akira Toriyama, the menacing villain is a pair of state-of-the-art androids. BY CALUM MARSH https://ift.tt/RrsMatP https://ift.tt/KrkBeOA New York Times Movies Movies, Animated Films August 18, 2022 at 04:30PM

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Review: ‘Dragon Ball Super: Super Hero’ Is Deluxe Fan Service In the latest “Dragon Ball” outing, directed by Tetsuro Kodama and written by ...
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Gene LeBell, 89, Judo Champion, Wrestler and Star Stuntman, Dies A tough guy who got beaten up by the likes of John Wayne, he had a bottom-line view of his job: “The more you get hit in the nose, the richer you are.” BY RICHARD SANDOMIR https://ift.tt/x0F39RC https://ift.tt/AaCFwO1 New York Times Movies Deaths (Obituaries), Stunts and Stuntmen, Movies, Television, Wrestling, Judo, Mixed Martial Arts August 20, 2022 at 02:56AM

Gene LeBell, 89, Judo Champion, Wrestler and Star Stuntman, Dies A tough guy who got beaten up by the likes of John Wayne, he had a bottom-line view of his job: “The more you get hit in the nose, the richer you are.” BY RICHARD SANDOMIR https://ift.tt/x0F39RC https://ift.tt/AaCFwO1 New York Times Movies Deaths (Obituaries), Stunts and Stuntmen, Movies, Television, Wrestling, Judo, Mixed Martial Arts August 20, 2022 at 02:56AM

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Gene LeBell, 89, Judo Champion, Wrestler and Star Stuntman, Dies A tough guy who got beaten up by the likes of John Wayne, he had a bottom-l...
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Rewriting Women Back Into Film History In shorts from the early 20th century, the stars defy gender stereotypes that would later be standard in Hollywood, as a museum series and box set make clear. BY MANOHLA DARGIS https://ift.tt/mHOUDTZ https://ift.tt/3m7hDkl New York Times Movies Women and Girls, Movies August 20, 2022 at 12:17AM

Rewriting Women Back Into Film History In shorts from the early 20th century, the stars defy gender stereotypes that would later be standard in Hollywood, as a museum series and box set make clear. BY MANOHLA DARGIS https://ift.tt/mHOUDTZ https://ift.tt/3m7hDkl New York Times Movies Women and Girls, Movies August 20, 2022 at 12:17AM

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Rewriting Women Back Into Film History In shorts from the early 20th century, the stars defy gender stereotypes that would later be standard...
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‘Three Minutes: A Lengthening’ Review: A Ghost Story Using footage from a three-minute amateur movie shot in 1938, this rousing documentary about a Jewish town in Poland is a haunting meditation on the memory of the Holocaust. BY BEATRICE LOAYZA https://ift.tt/NLqDEYF https://ift.tt/6MjFUTE New York Times Movies Documentary Films and Programs August 18, 2022 at 04:30PM

‘Three Minutes: A Lengthening’ Review: A Ghost Story Using footage from a three-minute amateur movie shot in 1938, this rousing documentary about a Jewish town in Poland is a haunting meditation on the memory of the Holocaust. BY BEATRICE LOAYZA https://ift.tt/NLqDEYF https://ift.tt/6MjFUTE New York Times Movies Documentary Films and Programs August 18, 2022 at 04:30PM

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‘Three Minutes: A Lengthening’ Review: A Ghost Story Using footage from a three-minute amateur movie shot in 1938, this rousing documentary ...
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