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Will Smith Says He Is ‘Deeply Remorseful’ Over Chris Rock Slap In an apologetic video, Mr. Smith doubled down on his regret over his behavior at the Oscars, which resulted in a 10-year ban from the ceremony. BY JULIA JACOBS https://ift.tt/lm4VJGO https://ift.tt/mp3KVwj New York Times Movies Movies, Academy Awards (Oscars) July 29, 2022 at 09:54PM

Will Smith Says He Is ‘Deeply Remorseful’ Over Chris Rock Slap In an apologetic video, Mr. Smith doubled down on his regret over his behavior at the Oscars, which resulted in a 10-year ban from the ceremony. BY JULIA JACOBS https://ift.tt/lm4VJGO https://ift.tt/mp3KVwj New York Times Movies Movies, Academy Awards (Oscars) July 29, 2022 at 09:54PM

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Will Smith Says He Is ‘Deeply Remorseful’ Over Chris Rock Slap In an apologetic video, Mr. Smith doubled down on his regret over his behavio...
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‘Ali & Ava’ Review: Don’t You Want to Sing Along? Even as this romantic drama clings uncomfortably to the surface of an interracial relationship, the movie still delivers pops of color and memorable melodies, our critic writes. BY BEANDREA JULY https://ift.tt/642dKw9 https://ift.tt/Dk7EsLn New York Times Movies Movies July 28, 2022 at 04:30PM

‘Ali & Ava’ Review: Don’t You Want to Sing Along? Even as this romantic drama clings uncomfortably to the surface of an interracial relationship, the movie still delivers pops of color and memorable melodies, our critic writes. BY BEANDREA JULY https://ift.tt/642dKw9 https://ift.tt/Dk7EsLn New York Times Movies Movies July 28, 2022 at 04:30PM

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‘Ali & Ava’ Review: Don’t You Want to Sing Along? Even as this romantic drama clings uncomfortably to the surface of an interracial rela...
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‘A Balance’ Review: Critical Distance Yujiro Harumoto’s slow-build morality tale puts an ambitious documentary maker in an uncomfortable position as her life begins to resemble her films. BY AUSTIN CONSIDINE https://ift.tt/Dg5GRcn https://ift.tt/b7lY4Vg New York Times Movies Movies July 28, 2022 at 04:30PM

‘A Balance’ Review: Critical Distance Yujiro Harumoto’s slow-build morality tale puts an ambitious documentary maker in an uncomfortable position as her life begins to resemble her films. BY AUSTIN CONSIDINE https://ift.tt/Dg5GRcn https://ift.tt/b7lY4Vg New York Times Movies Movies July 28, 2022 at 04:30PM

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‘A Balance’ Review: Critical Distance Yujiro Harumoto’s slow-build morality tale puts an ambitious documentary maker in an uncomfortable pos...
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Why Brandon Perea’s ‘Nope’ Audition Made Jordan Peele Cry The actor’s unexpected take on Angel, the Fry’s worker, so won over the director that he decided during their meeting to rewrite the script. BY KYLE BUCHANAN https://ift.tt/1mxcHTX https://ift.tt/KFrkUTh New York Times Movies Movies, Actors and Actresses, Content Type: Personal Profile July 27, 2022 at 11:44PM

Why Brandon Perea’s ‘Nope’ Audition Made Jordan Peele Cry The actor’s unexpected take on Angel, the Fry’s worker, so won over the director that he decided during their meeting to rewrite the script. BY KYLE BUCHANAN https://ift.tt/1mxcHTX https://ift.tt/KFrkUTh New York Times Movies Movies, Actors and Actresses, Content Type: Personal Profile July 27, 2022 at 11:44PM

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Why Brandon Perea’s ‘Nope’ Audition Made Jordan Peele Cry The actor’s unexpected take on Angel, the Fry’s worker, so won over the director t...
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The Japanese Author Behind ‘Bullet Train’ Is OK That the Film Isn’t So Japanese Kotaro Isaka dreamed that his novel would get the big-screen treatment. Now it’s an action thriller starring Brad Pitt. Does the lack of major Asian stars matter? BY MOTOKO RICH https://ift.tt/YvatsNe https://ift.tt/ldEp34m New York Times Movies Japanese-Americans, Books and Literature, Asian-Americans, Content Type: Personal Profile July 27, 2022 at 02:30PM

The Japanese Author Behind ‘Bullet Train’ Is OK That the Film Isn’t So Japanese Kotaro Isaka dreamed that his novel would get the big-screen treatment. Now it’s an action thriller starring Brad Pitt. Does the lack of major Asian stars matter? BY MOTOKO RICH https://ift.tt/YvatsNe https://ift.tt/ldEp34m New York Times Movies Japanese-Americans, Books and Literature, Asian-Americans, Content Type: Personal Profile July 27, 2022 at 02:30PM

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The Japanese Author Behind ‘Bullet Train’ Is OK That the Film Isn’t So Japanese Kotaro Isaka dreamed that his novel would get the big-screen...
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Rediscovering Australia’s Generation of Defiant Female Directors Gillian Armstrong, Jane Campion, Essie Coffey and others had waited years to tell their stories, as a Museum of the Moving Image series shows. BY DEVIKA GIRISH https://ift.tt/GqWNtX2 https://ift.tt/2d3lqgF New York Times Movies Movies, Documentary Films and Programs, Women and Girls July 27, 2022 at 12:48AM

Rediscovering Australia’s Generation of Defiant Female Directors Gillian Armstrong, Jane Campion, Essie Coffey and others had waited years to tell their stories, as a Museum of the Moving Image series shows. BY DEVIKA GIRISH https://ift.tt/GqWNtX2 https://ift.tt/2d3lqgF New York Times Movies Movies, Documentary Films and Programs, Women and Girls July 27, 2022 at 12:48AM

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Rediscovering Australia’s Generation of Defiant Female Directors Gillian Armstrong, Jane Campion, Essie Coffey and others had waited years t...
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B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about life in a nation that’s not as divided as we might think. BY DAVE ITZKOFF https://ift.tt/lpWuO4f https://ift.tt/HaExcsq New York Times Movies Movies, Television, Actors and Actresses, Content Type: Personal Profile July 27, 2022 at 12:41AM

B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about life in a nation that’s not as divided as we might think. BY DAVE ITZKOFF https://ift.tt/lpWuO4f https://ift.tt/HaExcsq New York Times Movies Movies, Television, Actors and Actresses, Content Type: Personal Profile July 27, 2022 at 12:41AM

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B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about ...
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B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about life in a nation that’s not as divided as we might think. BY DAVE ITZKOFF https://ift.tt/G5YfuSj https://ift.tt/HaExcsq New York Times Movies Movies, Television July 27, 2022 at 12:41AM

B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about life in a nation that’s not as divided as we might think. BY DAVE ITZKOFF https://ift.tt/G5YfuSj https://ift.tt/HaExcsq New York Times Movies Movies, Television July 27, 2022 at 12:41AM

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B.J. Novak Went to Texas Looking for ‘Vengeance’ and Found America The first film from a former star of “The Office” is a dark comedy about ...
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Paul Sorvino: A Voluble Man Who Excelled as a Brick of a Mobster The actor may be best known for “Goodfellas,” but he almost bailed on it because the character of the underboss Paulie Cicero was so difficult to pin down. BY GLENN KENNY https://ift.tt/faosOWI https://ift.tt/QaOqj6y New York Times Movies Movies July 26, 2022 at 03:54AM

Paul Sorvino: A Voluble Man Who Excelled as a Brick of a Mobster The actor may be best known for “Goodfellas,” but he almost bailed on it because the character of the underboss Paulie Cicero was so difficult to pin down. BY GLENN KENNY https://ift.tt/faosOWI https://ift.tt/QaOqj6y New York Times Movies Movies July 26, 2022 at 03:54AM

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Paul Sorvino: A Voluble Man Who Excelled as a Brick of a Mobster The actor may be best known for “Goodfellas,” but he almost bailed on it be...
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A Novelist Says a Movie Fails to Credit Her. The Film World Shrugs. Geling Yan says that she is owed a screen credit for the Chinese film “One Second” — and that companies bringing it to Western audiences are complicit in censoring her. BY MIKE IVES https://ift.tt/ocq8LMk https://ift.tt/pY6bjEo New York Times Movies Censorship, Copyrights and Copyright Violations, Movies July 23, 2022 at 04:30PM

A Novelist Says a Movie Fails to Credit Her. The Film World Shrugs. Geling Yan says that she is owed a screen credit for the Chinese film “One Second” — and that companies bringing it to Western audiences are complicit in censoring her. BY MIKE IVES https://ift.tt/ocq8LMk https://ift.tt/pY6bjEo New York Times Movies Censorship, Copyrights and Copyright Violations, Movies July 23, 2022 at 04:30PM

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A Novelist Says a Movie Fails to Credit Her. The Film World Shrugs. Geling Yan says that she is owed a screen credit for the Chinese film “O...
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Shonka Dukureh, ‘Elvis’ Actress Who Covered ‘Hound Dog,’ Dies at 44 Ms. Dukureh impressed in her Hollywood debut, with one castmate calling her performance “a spiritual experience.” BY DANIEL VICTOR https://ift.tt/3gQJhWY https://ift.tt/Dx2Ytk9 New York Times Movies Movies, Music July 22, 2022 at 09:28PM

Shonka Dukureh, ‘Elvis’ Actress Who Covered ‘Hound Dog,’ Dies at 44 Ms. Dukureh impressed in her Hollywood debut, with one castmate calling her performance “a spiritual experience.” BY DANIEL VICTOR https://ift.tt/3gQJhWY https://ift.tt/Dx2Ytk9 New York Times Movies Movies, Music July 22, 2022 at 09:28PM

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Shonka Dukureh, ‘Elvis’ Actress Who Covered ‘Hound Dog,’ Dies at 44 Ms. Dukureh impressed in her Hollywood debut, with one castmate calling ...
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‘Nope,’ Eadweard Muybridge and the Story of ‘The Horse in Motion’ Is the rider in the 19th-century photographic experiments really unknown, as Jordan Peele’s film implies? It’s complicated. BY BEN KENIGSBERG https://ift.tt/kIvdUOa https://ift.tt/Qq5hkSv New York Times Movies Movies, Photography July 22, 2022 at 07:30PM

‘Nope,’ Eadweard Muybridge and the Story of ‘The Horse in Motion’ Is the rider in the 19th-century photographic experiments really unknown, as Jordan Peele’s film implies? It’s complicated. BY BEN KENIGSBERG https://ift.tt/kIvdUOa https://ift.tt/Qq5hkSv New York Times Movies Movies, Photography July 22, 2022 at 07:30PM

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‘Nope,’ Eadweard Muybridge and the Story of ‘The Horse in Motion’ Is the rider in the 19th-century photographic experiments really unknown, ...
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‘My Donkey, My Lover & I’ Review: Three’s a Crowd In this idiosyncratic comedy from France, a besotted schoolteacher crashes her married lover’s hiking trip and befriends a deeply opinionated donkey. BY BEATRICE LOAYZA https://ift.tt/nRbi0WF https://ift.tt/B8cE0An New York Times Movies Movies July 21, 2022 at 04:30PM

‘My Donkey, My Lover & I’ Review: Three’s a Crowd In this idiosyncratic comedy from France, a besotted schoolteacher crashes her married lover’s hiking trip and befriends a deeply opinionated donkey. BY BEATRICE LOAYZA https://ift.tt/nRbi0WF https://ift.tt/B8cE0An New York Times Movies Movies July 21, 2022 at 04:30PM

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‘My Donkey, My Lover & I’ Review: Three’s a Crowd In this idiosyncratic comedy from France, a besotted schoolteacher crashes her married...
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‘Nope’ Review: Hell Yes Jordan Peele’s genre-melting third feature stars Daniel Kaluuya and Keke Palmer as brother-and-sister horse wranglers defending the family ranch from an extraterrestrial threat. BY A.O. SCOTT https://ift.tt/cQrVunv https://ift.tt/Y29UzsQ New York Times Movies Movies July 21, 2022 at 02:55AM

‘Nope’ Review: Hell Yes Jordan Peele’s genre-melting third feature stars Daniel Kaluuya and Keke Palmer as brother-and-sister horse wranglers defending the family ranch from an extraterrestrial threat. BY A.O. SCOTT https://ift.tt/cQrVunv https://ift.tt/Y29UzsQ New York Times Movies Movies July 21, 2022 at 02:55AM

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‘Nope’ Review: Hell Yes Jordan Peele’s genre-melting third feature stars Daniel Kaluuya and Keke Palmer as brother-and-sister horse wrangler...
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‘Boomerang’ at 30: Think of It as the Robin Givens Rom-Com It’s remembered as Eddie Murphy’s bid at romantic stardom and as a key point in Halle Berry’s career. But the riveting antagonist arguably created a new archetype. BY SALAMISHAH TILLET https://ift.tt/4tkOP0l https://ift.tt/nbEeDsx New York Times Movies Movies, Black People, Women and Girls, Actors and Actresses July 21, 2022 at 01:26AM

‘Boomerang’ at 30: Think of It as the Robin Givens Rom-Com It’s remembered as Eddie Murphy’s bid at romantic stardom and as a key point in Halle Berry’s career. But the riveting antagonist arguably created a new archetype. BY SALAMISHAH TILLET https://ift.tt/4tkOP0l https://ift.tt/nbEeDsx New York Times Movies Movies, Black People, Women and Girls, Actors and Actresses July 21, 2022 at 01:26AM

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‘Boomerang’ at 30: Think of It as the Robin Givens Rom-Com It’s remembered as Eddie Murphy’s bid at romantic stardom and as a key point in H...
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‘A Dark, Dark Man’ Review: Murder and Corruption in Kazakhstan This exceptionally grim police procedural recalls films like Bong Joon Ho’s “Memories of Murder” and Nuri Bilge Ceylan’s “Once Upon a Time in Anatolia.” BY BEN KENIGSBERG https://ift.tt/i0qfAWa https://ift.tt/fnaWr9F New York Times Movies Movies July 20, 2022 at 01:25AM

‘A Dark, Dark Man’ Review: Murder and Corruption in Kazakhstan This exceptionally grim police procedural recalls films like Bong Joon Ho’s “Memories of Murder” and Nuri Bilge Ceylan’s “Once Upon a Time in Anatolia.” BY BEN KENIGSBERG https://ift.tt/i0qfAWa https://ift.tt/fnaWr9F New York Times Movies Movies July 20, 2022 at 01:25AM

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‘A Dark, Dark Man’ Review: Murder and Corruption in Kazakhstan This exceptionally grim police procedural recalls films like Bong Joon Ho’s “...
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‘Aftershock’ Review: A Moving Ode to the Black Family Black mothers are dying from childbirth at alarming rates. A new documentary explains why. BY BEANDREA JULY https://ift.tt/IMTb861 https://ift.tt/TvJBdmI New York Times Movies Black People, Maternal Mortality, Documentary Films and Programs July 19, 2022 at 11:01PM

‘Aftershock’ Review: A Moving Ode to the Black Family Black mothers are dying from childbirth at alarming rates. A new documentary explains why. BY BEANDREA JULY https://ift.tt/IMTb861 https://ift.tt/TvJBdmI New York Times Movies Black People, Maternal Mortality, Documentary Films and Programs July 19, 2022 at 11:01PM

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‘Aftershock’ Review: A Moving Ode to the Black Family Black mothers are dying from childbirth at alarming rates. A new documentary explains ...
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‘The Day the Music Died’ Review: ‘American Pie,’ the Life of a Hit Don McLean tries to clear up some misapprehensions about the eight-an-a-half-minute song that took on a life of its own, in this documentary. BY GLENN KENNY https://ift.tt/r5uwUB8 https://ift.tt/ByOiQfU New York Times Movies Music, Documentary Films and Programs, Pop and Rock Music July 19, 2022 at 07:16PM

‘The Day the Music Died’ Review: ‘American Pie,’ the Life of a Hit Don McLean tries to clear up some misapprehensions about the eight-an-a-half-minute song that took on a life of its own, in this documentary. BY GLENN KENNY https://ift.tt/r5uwUB8 https://ift.tt/ByOiQfU New York Times Movies Music, Documentary Films and Programs, Pop and Rock Music July 19, 2022 at 07:16PM

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‘The Day the Music Died’ Review: ‘American Pie,’ the Life of a Hit Don McLean tries to clear up some misapprehensions about the eight-an-a-h...
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‘History Is Everything’: Making a Film About Black Maternal Mortality The directors Paula Eiselt and Tonya Lewis Lee discuss their journey in making the documentary “Aftershock,” which shines a light on a national health crisis. BY MAYA SALAM https://ift.tt/FBnGH2j https://ift.tt/lxTpK0U New York Times Movies Women and Girls, Black People, Pregnancy and Childbirth, Documentary Films and Programs, Caesarean Section, Maternal Mortality, Discrimination, Black Lives Matter Movement, Content Type: Personal Profile July 19, 2022 at 02:30PM

‘History Is Everything’: Making a Film About Black Maternal Mortality The directors Paula Eiselt and Tonya Lewis Lee discuss their journey in making the documentary “Aftershock,” which shines a light on a national health crisis. BY MAYA SALAM https://ift.tt/FBnGH2j https://ift.tt/lxTpK0U New York Times Movies Women and Girls, Black People, Pregnancy and Childbirth, Documentary Films and Programs, Caesarean Section, Maternal Mortality, Discrimination, Black Lives Matter Movement, Content Type: Personal Profile July 19, 2022 at 02:30PM

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‘History Is Everything’: Making a Film About Black Maternal Mortality The directors Paula Eiselt and Tonya Lewis Lee discuss their journey i...
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The Unraveling of an Award-Winning Documentary The director of “Sabaya,” about Yazidi women who had been sexually enslaved by ISIS, says that he wasn’t present for a key scene and that he substituted footage. BY JANE ARRAF https://ift.tt/8TQBUsL https://ift.tt/PsJgGpB New York Times Movies Sundance Film Festival (Park City, Utah), Yazidi (Religious Sect), Documentary Films and Programs, Human Rights and Human Rights Violations July 18, 2022 at 08:41PM

The Unraveling of an Award-Winning Documentary The director of “Sabaya,” about Yazidi women who had been sexually enslaved by ISIS, says that he wasn’t present for a key scene and that he substituted footage. BY JANE ARRAF https://ift.tt/8TQBUsL https://ift.tt/PsJgGpB New York Times Movies Sundance Film Festival (Park City, Utah), Yazidi (Religious Sect), Documentary Films and Programs, Human Rights and Human Rights Violations July 18, 2022 at 08:41PM

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The Unraveling of an Award-Winning Documentary The director of “Sabaya,” about Yazidi women who had been sexually enslaved by ISIS, says tha...
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A Middle Eastern Party Scene Is Thriving on Brooklyn’s Dance Floors Several New York City parties offer spaces where anyone and everyone can let loose, come together and find comfort in Middle Eastern and North African music. BY SARA ARIDI https://ift.tt/5si67Q1 https://ift.tt/FQnc3X5 New York Times Movies Music, Parties (Social), Immigration and Emigration, Bars and Nightclubs July 16, 2022 at 02:30PM

A Middle Eastern Party Scene Is Thriving on Brooklyn’s Dance Floors Several New York City parties offer spaces where anyone and everyone can let loose, come together and find comfort in Middle Eastern and North African music. BY SARA ARIDI https://ift.tt/5si67Q1 https://ift.tt/FQnc3X5 New York Times Movies Music, Parties (Social), Immigration and Emigration, Bars and Nightclubs July 16, 2022 at 02:30PM

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A Middle Eastern Party Scene Is Thriving on Brooklyn’s Dance Floors Several New York City parties offer spaces where anyone and everyone can...
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L.Q. Jones, Who Played Heavies With a Light Touch, Dies at 94 His face was familiar, mostly in westerns, during a career that spanned five decades. He also directed the cult film “A Boy and His Dog.” BY SAM ROBERTS https://ift.tt/Cal4yGm https://ift.tt/D8coSlN New York Times Movies Deaths (Obituaries), Actors and Actresses, Movies, Television July 16, 2022 at 01:21AM

L.Q. Jones, Who Played Heavies With a Light Touch, Dies at 94 His face was familiar, mostly in westerns, during a career that spanned five decades. He also directed the cult film “A Boy and His Dog.” BY SAM ROBERTS https://ift.tt/Cal4yGm https://ift.tt/D8coSlN New York Times Movies Deaths (Obituaries), Actors and Actresses, Movies, Television July 16, 2022 at 01:21AM

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L.Q. Jones, Who Played Heavies With a Light Touch, Dies at 94 His face was familiar, mostly in westerns, during a career that spanned five d...
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Daisy Edgar-Jones Would Like the Ingénue Phase of Her Career to End Now The star of “Where the Crawdads Sing” and “Normal People” has quickly become a Hollywood “It” Girl. But what she craves is longevity. BY ASHLEY SPENCER https://ift.tt/m5w3pUI https://ift.tt/kzNxU0J New York Times Movies Content Type: Personal Profile, Movies, Television, Actors and Actresses July 15, 2022 at 02:30PM

Daisy Edgar-Jones Would Like the Ingénue Phase of Her Career to End Now The star of “Where the Crawdads Sing” and “Normal People” has quickly become a Hollywood “It” Girl. But what she craves is longevity. BY ASHLEY SPENCER https://ift.tt/m5w3pUI https://ift.tt/kzNxU0J New York Times Movies Content Type: Personal Profile, Movies, Television, Actors and Actresses July 15, 2022 at 02:30PM

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Daisy Edgar-Jones Would Like the Ingénue Phase of Her Career to End Now The star of “Where the Crawdads Sing” and “Normal People” has quickl...
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‘Marx Can Wait’ Review: A Director Digs Into His Brother’s Death In a moving new documentary, the Italian filmmaker Marco Bellocchio gathers his fascinating, aging family members to make sense of their brother’s suicide. BY A.O. SCOTT https://ift.tt/T4B8XJI https://ift.tt/PFptjOJ New York Times Movies Documentary Films and Programs, Suicides and Suicide Attempts July 15, 2022 at 12:00AM

‘Marx Can Wait’ Review: A Director Digs Into His Brother’s Death In a moving new documentary, the Italian filmmaker Marco Bellocchio gathers his fascinating, aging family members to make sense of their brother’s suicide. BY A.O. SCOTT https://ift.tt/T4B8XJI https://ift.tt/PFptjOJ New York Times Movies Documentary Films and Programs, Suicides and Suicide Attempts July 15, 2022 at 12:00AM

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‘Marx Can Wait’ Review: A Director Digs Into His Brother’s Death In a moving new documentary, the Italian filmmaker Marco Bellocchio gathers...
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‘Mrs. Harris Goes to Paris’ Review: High Fashion for the Humble This inspirational comedy starring Leslie Manville and Isabelle Huppert trades in a similar kind of British coziness as the “Paddington” movies, though it’s not nearly as effective. BY BEATRICE LOAYZA https://ift.tt/wShBZPR https://ift.tt/SDP57wM New York Times Movies Movies July 14, 2022 at 04:30PM

‘Mrs. Harris Goes to Paris’ Review: High Fashion for the Humble This inspirational comedy starring Leslie Manville and Isabelle Huppert trades in a similar kind of British coziness as the “Paddington” movies, though it’s not nearly as effective. BY BEATRICE LOAYZA https://ift.tt/wShBZPR https://ift.tt/SDP57wM New York Times Movies Movies July 14, 2022 at 04:30PM

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‘Mrs. Harris Goes to Paris’ Review: High Fashion for the Humble This inspirational comedy starring Leslie Manville and Isabelle Huppert trad...
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