A Postmodern Period Piece From a Cinema Titan Different planes of existence overlap in Manoel de Oliveira’s “Francisca,” a meta-narrative about an enigmatic love triangle in mid-19th-century Portugal.
By BY J. HOBERMAN from NYT Movies https://ift.tt/32C0MKN
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A Postmodern Period Piece From a Cinema Titan Different planes of existence overlap in Manoel de Oliveira’s “Francisca,” a meta-narrative about an enigmatic love triangle in mid-19th-century Portugal. BY J. HOBERMAN https://ift.tt/32C0MKN https://ift.tt/3eZn3aj New York Times Movies Movies November 12, 2020 at 08:00PM
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